ADM Tech - Shure

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Wired microphones

Music & Performance	Studio & Field Production
Installed Sound	Land Mobile / Paging
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Shure Music and Performance Microphones

55SH Series II	Cardioid Dynamic Microphone, Low Z, On-Off Switch
512	Cardioid Dynamic Microphone, Low Z, Headworn
520D	Replaced by 520DX
520DX	Omnidirectional Dynamic, High Z, volume control "The Green Bullet"
BETA Series:	BETA 52, BETA 56, BETA 57A, BETA 58A, BETA 87
BG Series:	BG1.1, BG2.1, BG3.1, BG4.1, BG5.1, BG6.1
PROLOGUE Series:	10, 12, 14, 16L, 22, 24
SM10A	Cardioid dynamic, Headworn Microphone
SM12A	Cardioid Dynamic, Headworn Microphone with Earphone
SM48	Cardioid Dynamic Microphone
SM57	Cardioid Dynamic Microphone
SM58	Cardioid Dynamic Microphone
SM87	Supercardioid Condenser Microphone
SM94	Cardioid Condenser Microphone
SM98A	Miniature Cardioid Condenser Microphone
WH10XLR	Headworn Dynamic Microphone, XLR Connector

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Shure Studio and Field Production

MX183	Omnidirectional Condenser Lavalier Microphone
MX184	Supercardioid Condenser Lavalier Microphone
MX185	Cardioid Condenser Lavalier Microphone
SM2	Cardioid Dynamic, Headworn Microphone with Dual Receivers
SM7	Cardioid Dynamic Studio Vocal Microphone with Switchable Response Tailoring
SM63	Omnidirectional Dynamic Microphone
SM63L	Omnidirectional Dynamic Microphone with Longer Handle for Interviewing
SM81	Cardioid Condenser Microphone with 10dB Attenuator and 3 Position Low-Cut Filter
SM89	Shotgun Condenser Microphone
SM93	Micro-Lavalier Omnidirectional Microphone
VP64	Omnidrectional Dynamic Handheld Microphone, Scratch-Resistant Black Finish
VP88 M-S	Stereo Microphone with internal matrix and battery

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Shure Installed Sound Microphones

450	Omni-Directional CONTROLLED MAGNETIC® Microphone
514B	Omnidirectional Dynamic, Low Z, Push-to-Talk Switch
515X Series	Cardioid Dynamic Microphones,
522	Cardioid Dynamic, High or Low Z, Noise Canceling, Push-to-Talk Switch, Desktop
527B	Omnidirectional Dynamic, Handheld, Low Z, Push-to-Talk Switch
545	Cardioid Dynamic Microphone, Low Z
550L	Omnidirectional Dynamic, Low Z , Desktop
561	Omnidirectional Dynamic, Low Z, for Gooseneck Mounting
562	Cardioid Dynamic, Low Z, Noise Canceling
565 Series	Cardioid Dynamic, High or Low Z, On-Off Switch, Includes Cable
572G	Omnidirectional Dynamic, Low Z, Attached 12" Gooseneck
588SDX	Cardioid Dynamic, High or Low Z (Switch Selectable), On-Off Switch
596LB	Omnidirectional Handheld Dynamic, Push-to-Talk
809	Omnidirectional Condenser, Surface Mount, Low Z
819	Cardioid Condenser, Surface Mount, Low Z
849	Cardioid Condenser, Low Z, On-Off Switch
SM11	Omnidirectional Dynamic Microphone, Lavalier
SM18B	Cardioid Dynamic Microphone, Low Profile (Brown)
SM62	Cardioid Dynamic Microphone

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Shure Land Mobile and Paging Systems

Shure Land Mobile and Paging microphones represent the industry standard for reliability, ruggedness and sound quality. Choose from a complete line of handheld and base station microphones to suit your every dispatch and vehicle application.

Modulink System Microphones The Shure ModuLink System 1 is the first microphone system with modular cordsets that plug quickly into virtually all popular radio transceivers without any hard-wiring. ModuLink is a complete mobile microphone system designed to save you precious service time and money.
Standard Line Microphones Shure Land Mobile and Paging microphones represents the industry standard for reliability, ruggedness and sound quality. Choose from a complete line of handheld and base station microphones to suit your every dispatch and vehicle application.
Value Line Microphones Shure's value line microphones, including a desktop and two hand held solutions, provide users with an unparalleled combination of affordability and performance. Without having to skimp on durability or quality, you can fulfill your communications needs within the tightest budget. And all three Shure value line microphones include Shure's full warranty and support.
Gooseneck Microphones Shure's gooseneck microphones have been the overwhelming choice of communications users for over 30 years. With their combination of quality and features, Shure gooseneck microphones provide the value and reliability that people, especially those in critical operations, have come to trust. You can choose the features and performance specifications you need from a full line of Shure gooseneck microphones.

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Shure Wireless Microphone Systems

T-Series Wireless The Vocal Artist(TM), The Guitarist(TM), The Presenter(TM), and The Headset(TM) are Shure's affordable, ruggedly built wireless systems that put Shure quality within everyone's reach.
LX Wireless Series Widely used and accepted in the installed sound and live music markets, the LX Wireless Series Systems deliver unmatched performance and reliability at a moderate price.
SC Wireless Series The SC Series Wireless Systems are feature-rich MARCAD(R) Diversity systems created with fixed installation sound requirements in mind.
EC Series Wireless Systems Designed to meet the toughest international standards, Shure's EC Wireless microphone systems provide the best sound quality from cutting-edge technology.
UHF Wireless Systems The Shure UHF system features our exclusive MARCAD(R) Diversity circuitry, which provides the combined benefits of two independent RF sections for remarkable sensitivity, improved reception and exceptional freedom from dropout.

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Shure T Series Wireless Systems - Wireless That Works for a Living: The Vocal ArtistTM, The GuitaristTM, The PresenterTM, and The HeadsetTM are Shure's affordable, ruggedly built wireless systems that put Shure quality within everyone's reach.; Available in both standard (single antenna) and diversity versions, these systems outperform all others in their price range. All Shure systems share an impressive number of valuable features, including:

Battery saver design that provides up to 18 hours of battery life.
Two LED indicators, one for Power On/Off and another to warn when battery life is low.
Convenient mute switch, located on the transmitter, that provides noiseless control of On/Off function.
Noise squelch circuitry that virtually eliminates noise bursts.
Ready-to-play, batteries included.



T-series wireless LX wireless SC wireless EC wireless UHF wireless Guitar / Instrument wireless Back to Wireless mics Top of page
Shure LX Wireless Series: Widely used and accepted in the installed sound and live music markets, the LX Wireless Series Systems deliver unmatched performance and reliability at a moderate price. With diversity and single antenna receivers, a full line of professional handheld, lavalier, instrument and headworn microphones, as well as an instrument cable, the LX Wireless Series offers a wireless system that fits most every sound reinforcement application.

LX Handheld Transmitters: In addition to battery life of 18 to 20 hours, LX transmitters feature a three-segment LED power/battery fuel gauge to instantly indicate remaining battery life. The fully adjustable audio gain control has also been redesigned and the battery mounting has been relocated for easier access and better transmitter balance. Also included is the WA555 grip switch cover for protection against the accidental flipping of transmitter switches. (All LX Wireless Hand-held Transmitters come with swivel adapter and zippered vinyl storage bag.)

LX2/58 Same performance as cabled SM58.
LX2/87 Same performance as cabled SM87.
LX2/BETA 58 Same performance as cabled BETA 58A.
LX2/BETA 87 Same performance as cabled BETA 87.

WH10TQG: The Headset(tm)--dynamic cardioid, headworn. New lightweight design keeps your hands free, and the wireless version is ideal for active applications such as aerobic instruction or DJing, as well as for singing drummers or keyboardists.

LX1 Body-Pack

A low-profile, highly durable body-pack transmitter, the LX1 responds to the demands of high performance with 18 to 20 hours of battery life operation. Like the LX handheld transmitters, the LX1 has a power/battery fuel guage, featuring a three-segment LED display. Also extremely user-freindly, the LX1 has vertically-activated mute switch and horizontally-activated power switch, which are easily identifiable by touch. The LX1 is also integral to Shure's LX Wireless guitar system.

LX4 Receiver

Space-saving 1/2 rack design
Dual and single rack mounting equipment
All metal chassis
PS31 or PS31E (international version) in-line power supply with locking DC connector
Five-segment level meters for A and B antennas
Mic/line level switch
XLR and 1/4 inch outputs

LX3 Receiver

Space-saving 1/2 rack design
All metal chassis
Power LED indicator
5-segment audio level indicator
RF presence indicator
PS31 or PS31E (international version) in-line power supply with locking DC connector
Front-located noise-sensing squelch control
Single and dual rack-mounting hardware
Output level control
1/4 inch output Rack Mount Kits
WA500 "S" Version Rack Kit for single-unit LX4 or SC4 receiver mounting
WA502 "D" Version Rack Kit for mounting of one LX4 or SC4 receiver in a side by side, half rack modular format.
WA525 Pelican Protector® Carry Case for single LX or SC Wireless System


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SC Wireless Systems

Three main features set the SC Wireless apart from all others in its category:

Tone Key Squelch-A separate, inaudible signal is sent along with the transmitter's normal carrier frequency. When the tone is not present (e. g., the transmitter is either turned off or out of range) the receiver remains muted, preventing other signals or unwanted noise from entering the system. By eliminating the popping sound often heard when a wireless system is turned on or off, tone key squelch allows the SC transmitter's On/Off power switch to also function as a system "mute" switch.
Battery Fuel Gauge-Multicolor, five LED indicator shows how much battery life remains
Frequency Agility-An eight-position switch in both the transmitter and receiver allows the system's operating frequency to be fine-tuned should interference occur SC1 Body-Pack
The SC1 Body-pack transmitter features a digitally controlled, frequency-synthesized design. Surface-mount construction provides stability and ruggedness. Compatible with Shure wireless lavalier, instrument and headworn microphones and instrument cable. In addition to its design, the SC1 has these acclaimed features:
5-segment Battery Fuel Gauge
Combined power On/Off and mute switch
Same frequency selector switch as SC4 receiver
Variable audio gain control
User-configurable microphone input with "Tini Q-G" connector

SC2 Handheld Transmitters

5-segment Battery Fuel Gauge
Combined power On/Off and mute switch-simplified operation for the user
Exceptionally well-balanced feel.
No exterior antenna
Same frequency selector switch used with SC4 receiver--if frequency must be changed, set the transmitter's frequency selector switch to the same position as the receiver's switch
Battery installation-designed for easier changing of batteries and more secure contact
Variable audio gain control

All include switch/sleeve cover, swivel adapter and zippered vinyl storage bag.

SC2/58--Same performance as SM58.
SC2/87--Same performance as SM87.
SC2/BETA 58--Same performance as BETA 58A.
SC2/BETA 87--Same performance as BETA 87.

SC4 Receiver

The receiver's half-rack size helps conserve precious rack space. Five-segment RF level and audio level LED strings allow the sound professional to optimize system performance. Each SC4 receiver is shipped with a PS31 (or PS31E) in-line power supply, and with rack mount hardware that allows for single and side-by-side mounting.

The WA503 accessory rack kit provides mounting for a single SC4 receiver in one rack space, along with front mounting of the antennas on the rack ears in that same rack space.


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Shure EC Wireless Series

The EC Wireless Series has many features in addition to its digital design which make it the choice of performers internationally. The PowerGain(tm) Antenna provides handheld EC transmitters with increased freedom from dropouts and interference by delivering up to 10 dB more effective radiated power. The EC4 receiver features Shure's exclusive MARCAD® Diversity design which offers better performance by combining the two RF signals in the optimum proportion for improved reception. EC4 Receiver

With superior Shure MARCAD® technology, the EC4 provides unparalleled sensitivity and greater freedom from signal dropout. Utilizing digital frequency-control and modular surface mount design, the EC4 has improved selectivity with triple-tuned RF stages. The EC4 has a five-pole signal filter to reduce unwanted noise under difficult receiving conditions. (EC4 Photo, JPG, 768 x 228, 38KB)

EC1 Body-Pack

The EC1 body-pack transmitter also features a digitally-controlled, frequency-synthesized design. Surface mount construction provides the stability and ruggedness needed in demanding performance situations. Compatible with Shure wireless lavalier, instrument and headworn microphones and instrument cable. Clean RF output with "bulletproof" signal reliability. Separate power and mute switches.

EC Handheld Transmitters

All EC handheld transmitters include swivel adapter and zippered vinyl storage bag.

EC2/58--Same performance as SM58.
EC2/87--Same performance as SM87.
EC2/BETA 58®--Same performance as BETA 58A®.
EC2/BETA 87®--Same performance as BETA 87®.


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Shure UHF Wireless System

The Shure UHF Wireless System lets you "lock" all of the receiver and transmitter program settings, as well as locking "on" the transmitter power. Once the system is programmed and locked, it stays that way. No more accidental channel changes or sudden power losses during operation. It features digitally controlled, programmable LCD displays on both receivers and transmitters that show the group/channel setting. A five-segment battery display on the transmitter and a three-segment remote battery indicator on the receiver show how much transmitter battery life remains. Receiver display screens also show and allow control of frequency, performer's name, squelch setting and Shure's menu "lock out" function. And, LED indicators are included for RF and audio level monitoring

Shure takes frequency-agility to new levels. While many systems offer you multiple channel options, Shure gives you an outstanding 191 (international versions may differ) fully selectable, user programmable frequencies from which to choose. And, Shure UHF systems function on a much less crowded operating band, with far less chance of interference from other sources. So wherever you set up the system, Shure's frequency-agility virtually guarantees that you will be able to find an available frequency. The Shure UHF Wireless components provide a complete and interchangeable system. Receivers and transmitters are not specifically matched, allowing any Shure UHF transmitter to work with any Shure UHF receiver ... perfect for rental and multiple system applications.

Everything about the Shure UHF Wireless System is designed to survive years of shipping, loading, unloading, setting up and tearing down. Transmitter housings are all metal and have been designed to withstand the rigors of the real world. The receivers feature an extremely rugged frontplate, to defend against abuse encountered in transport. And with a full 12 hours of life, you get longer use per battery. Whats more, Shure's battery fuel gauges in the transmitter and receiver monitor how much power is left at any given moment, eliminating guesswork. Its one more way Shure UHF is designed to be the most convenient, reliable wireless in the business.

Receivers

Two single-rack-space versions:

1.U4S Single channel diversity

2.U4D Dual channel diversity

Easy-to-read, programmable, multi-function LCD display to set and view:

Actual frequency in megahertz
Group/Channel
Performer's name
Squelch setting
Menu lock-out status
Battery fuel gauge
UHF TV channel (in U.S. and some international versions).
Independent headphone monitor: lets user adjust headphone volume withoutchanging receiver output levels.
Network expansion capability: allows future computer control and monitoring.
Switching internal power supply: switches automatically to meet local AC power conditions.
Two half-wave, flexible rubber antennas.

Transmitters

LCD display for group/channel setting
lock and battery fuel gauge
Durable all-metal housing
Two AA battery operation

U1 Bodypack Transmitter

Supports the full range of Shure lavalier, headworn and instrument mics as well as guitar cables.
Power-on LED.
Standard Tini-QG or optional LEMO connector.
1/4-wave, efficient whip antenna.

U2 Handheld Transmitters

Four available microphone choices:

1.Beta 87

2.Beta 58A

3.SM87

4.SM58 �1/4-wave, efficient helical antenna.

Furnished System Accessories

Detachable AC power cord with standard IEC connector.
Two half-wave, flexible rubber antennas.
Cables and hardware for front-mounting antennas.
Connecting power cord for linking multiple receivers.
Two AA batteries per transmitter.
Transmitter carrying case.

Optional Accessories

UA840A Antenna Distribution System:

Can support up to five single or dual receivers. Active Remote Antenna Kit: Facilitates remote placement of receiver antennas. Improves reception with bandpass filter. Amplifies signal by 3 or 10 dB (user selectable) to compensate for cable loss.

UA830A Active Remote Antenna Kit
WH10TQG Dynamic Headset Microphone and WCM16 Hypercardioid Condenser Headset Microphone
Guitar Cable and Lavaliers: WL93, WL84A, WL83A, WM98 Instrument Microphone

SPECIFICATIONS

RF Carrier Frequency Range; 782 to 810 MHz (782 to 806 MHz in the U.S.A.) Available frequencies depend on regulations in country where system is used
: Working Range; 152.4 m (500 ft.), minimum, under typical conditions, 1600 ft. line of sight NOTE: Actual working range depends on RF signal absorption, reflection and interference
: Audio Frequency Response; 50 to 15,000 Hz, ±2 dB. NOTE: Overall system frequency response depends on the microphone element
: Gain Adjustment Range; U1: 0 to 40 dB; U2: 0 to 26 dB; Modulation; ±45 kHz deviation compressor-expander system with pre- and de-emphasis; RF Power Output; U1, U2: 10 mW; Dynamic Range; >102 dB, A-weighted
: RF Sensitivity; 0.45 µV for 12 dB SINAD (typical); Image Rejection; 90 dB typical; Spurious Rejection; 75 dB typical
: Ultimate Quieting (ref. 15 kHz deviation); 3100 dB, A-weighted; Audio Polarity; Positive pressure on microphone diaphragm (or positive voltage applied to tip of WA302 phone plug) produces positive voltage on pin 2 with respect to pin 3 of low impedance output and the tip of the high impedance 1/4-inch output; System Distortion (ref. ±45 kHz deviation, 1 kHz modulation); 0.3% Total Harmonic Distortion typical; Power Requirements; U1, U2: Two 1.5V AA alkaline batteries (Duracell MN1500 recommended); Nicad optional U4: 120 to 230 Vac, 60 Hz
: Battery Life (typical); 12 hours (with two Duracell MN1500 1.5V AA alkaline batteries); Operating Temperature Range; -20 to 50 C (-4 to 122F) NOTE: Battery characteristics may limit this range
: Overall Dimensions

U1: 92.2 mm L x 64.7 mm W x 24.2 mm D (3 29/32 in. x 2 35/54 in. x 61/64 in.)
U2/58: 254 mm L x 50.8 mm D (10 in. x 2 in.)
U2/BETA 58: 254 mm L x 53.2 mm D (10 in. x 2 3/32 in.)
U2/87: 228.6 mm L x 49.2 mm D (9 in. x 1 15/16 in.)
U2/BETA 87: 216 mm L x 50.8 mm D (8 1/2 in. x 2 in.)
U4S/U4D: 44.5 mm H x 482.6 mm W x 295.3 mm D (1 3/4 in. x 19 in. x 11 5/8 in.)

Net Weight

U1: 175.2 g (6.18 oz.) without battery
U2/58, U2/BETA 58: 375.6 g (13.25 oz.) without battery
U2/87, U2/BETA 87: 303.1 g (10.69 oz.) without battery
U4S: 3.30 kg (7 lbs, 4.3 oz.)
U4D: 3.85 kg (8 lbs, 0.5 oz.)

Certification

U1, U2: Type-accepted under FCC Part 74; IC certified under TRC-78
U4S, U4D: Approved under Notification provision of FCC Part 15; IC certified under TRC-78

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Guitar/Instrument Systems: Systems come in both Dual Channel and Single Channel Versions:
: U14(S or D) Guitar System

U4 Receiver
U1 Transmitter
WA302 instrument cable

U14(S or D)98 Body-pack/Instrument

U4 Receiver
U1 Transmitter
WM98 microphone

Headset Systems

U14(S or D)10 Body-pack/Headworn

U4 Receiver
U1 Transmitter
WH10TQG microphone

U14(S or D)16 Body-pack/Headworn

U4 Receiver
U1 Transmitter
WCM16 microphone

Lavalier Systems

U14(S or D)83 Body-pack/Lavalier

U4 Receiver
U1 Transmitter
WL83A microphone

U14(S or D)84 Body-pack/Lavalier

U4 Receiver
U1 Transmitter
WL84A microphone

U14(S or D)93 Body-pack/Lavalier

U4 Receiver
U1 Transmitter
WL93 microphone

Handheld Systems

U24(S or D)58 Handheld

U4 Receiver
U2/58 Transmitter

U24(S or D)87 Handheld

U4 Receiver
U2/87 Transmitter

U24(S or D)Beta58 Handheld

U4 Receiver
U2/BETA58 Transmitter

U24(S or D)Beta87 Handheld

U4 Receiver
U2/BETA 87 Transmitter

Combo Systems

U124(S or D) Body-pack and Handheld SM58

U4 Receiver
U1 Transmitter
U2/58 Transmitter
No lavalier microphone

U124(S or D) Body-pack and Handheld SM87

U4 Receiver
U1 Transmitter
U2/87 Transmitter
No lavalier microphone

U124(S or D) Body-pack and Handheld BETA58

U4 Receiver
U1 Transmitter
U2/BETA58 Transmitter
No lavalier microphone

U124(S or D) Body-pack and Handheld BETA87

U4 Receiver
U1 Transmitter
U2/BETA87 Transmitter
No lavalier microphone

U2/58--Same performance as SM58.; U2/87--Same performance as SM87.; U2/BETA 58--Same performance as BETA 58A.; U2/BETA 87--Same performance as BETA 87.
Wired mics Wireless mics What's new Complete prod. list Company profile Top of page
What's New at Shure

See Shure's new PSM™ 600 Personal Stereo Monitor Systems
Check out the updated BG Microphone Line BG Microphones
NEW!! - User's Guides in PDF format. User's Guides
NEW!! - DFR11EQ Digital Feedback Reducer DFR11EQ
HW501 Dynamic Headworn mic for computer speech input applications
Microphones for computer speech input applications
Shure brings back the V15VxMR high performance phonograph cartridge

Wired mics Wireless mics What's new Complete prod. list Company profile Top of page
Shure Product, alphabetical list

450 Omni-Directional CONTROLLED MAGNETIC®
512 Cardioid Dynamic, Low Z, Headworn
514B Omnidirectional Dynamic, Low Z, Push-to-Talk Switch
515X Series Cardioid Dynamic Microphones (515BSLX, 515SBGX, 515SB-G18X, 515G18XF, 515SDX)
520D Replaced by 520DX
520DX Omnidirectional Dynamic, High Z, volume control "The Green Bullet"
522 Cardioid Dynamic, High or Low Z, Noise Canceling, Push-to-Talk Switch, Desktop
527B Omnidirectional Dynamic, Handheld, Low Z, Push-to-Talk Switch
545 Cardioid Dynamic, Low Z
550L Omnidirectional Dynamic, Low Z , Desktop
55SH Cardioid Dynamic, Low Z, On-Off Switch
561 Omnidirectional Dynamic, Low Z, for Gooseneck Mounting
562 Cardioid Dynamic, Low Z, Noise Canceling
565 Cardioid Dynamic, High or Low Z, On-Off Switch, Includes Cable
572G Omnidirectional Dynamic, Low Z, Attached 12" Gooseneck
588SD Replaced by 588SDX
588SDX Cardioid Dynamic, High or Low Z, Locking On-Off Switch
596LB Omnidirectional Handheld Dynamic, Push-to-Talk
849 Cardioid Condenser, Low Z, On-Off Switch
A15AS Switchable Attenuator
A15BT Bridging Transformer
A15HP High Pass Filter
A15LA Line Adapter
A15PRS Switchable Phase Reverser
A15TG Tone Generator
BB-77 Baby Boom, Fits MS-10C Floor Stand
BETA52 Supercardioid Dynamic Mic for Kick Drum and other Bass Instruments
BETA56 Supercardioid Dynamic Mic
BETA57A Supercardioid Dynamic Mic for Instrument Applications
BETA58A Supercardioid Dynamic Mic for Vocal Applications
BETA87 Premium Supercardioid Handheld Electret Condenser for Vocal Applications (Matte Grille)
BG 1.1 Cardioid Dynamic, High or Low Z, On-Off Switch,with High Output Neodymium Element, for Vocal Applications
BG 2.1 Cardioid Dynamic, Low Z, On-Off Switch, with High Output Neodymium Element, for Vocal Applications
BG 3.1 Cardioid Dynamic, Low Z, On-Off Switch, with High Output Neodymium Element, for Vocal Applications
BG 4.1 Cardioid Condenser, On-Off Switch, Low Z, for Instrument Applications
BG 5.1 Cardioid Condenser, On-Off Switch, Low Z, for Vocal Applications
BG 6.1 Cardioid Dynamic, On-Off Switch, Low Z, for Instrument Applications
C15A Cable
C20B Cable
C25B Cable
C25E Cable
C25F Cable
C25J Cable
C107 Cable
C110 Cable
DFR11EQ Digital Feedback Reducer with EQ
EC2 EC Series Handheld Transmitters
EC1 EC Series Body-Pack Transmitter
EC4 Receiver Diversity Wireless Receiver
FP11 Microphone-to-Line Ampliflier, 9V Battery or 12-24 V dc
FP16A 1x6 Distribution Amplifier, 120/230V ac or (3) 9V Batteries
FP22 Stereo Plus One Headphone Amplifier, 9V Battery or 12-24V dc
FP32 Stereo Compact Portable Mixer, (2) 9V Batteries or 11-18V dc
FP32A Replaced by Model FP33
FP33 Stereo Low Noise Compact Portable Mixer, (2) 9V Batteries or 12-30V dc
FP42 Stereo Portable Mixer, 120/230 V ac or (3) 9V Batteries
FP410 Portable Automatic Mixer for Broadcast and Production Applications, four Channel, AC only, One Rack Space
FP42 Stereo Portable Mixer, 120/230 V ac or (3) 9V Batteries
HW501 Dynamic Headworn Microphone for Computer Speech input Applications
LX2 LX Series Handheld Transmitters
LX1 LX Series Body-Pack Transmitter
LX3 Wireless Receiver
LX4 Diversity Wireless Receiver
M111E Phonograph Cartridge
M267 Portable Mixer with Limiter/VU Meter, 120/230V ac or (3) Batteries
M268 Microphone Mixer with Phantom Power, 120/230V ac or (2) 9V Batteries
M367 Six Input Portable Mixer with Limiter/VU Meter, 120/230V ac or (2) 9V Batteries
M44GX Phonograph Cartridge
M447X Phonograph Cartridge
M64A Compact Stereo Preamplifier
M68FCA Microphone Mixer, 120/230V ac
M70BX Phonograph Cartridge
M92E Phonograph Cartridge
MS-10C Floor Stand, 35 to 64 inches high
MX392/393 Microflex Boundary Microphones
MX418/412 Microflex Gooseneck Microphones
MX183/184/185 Microflex Lavalier Microphones
MX202 Microflex Overhead Microphones
PROLOGUE 10 Cardioid Dynamic, Low Z, On-Off Switch, Prologue(TM)
PROLOGUE 12 Cardioid Dynamic, Low Z, On-Off Switch, Prologue(TM)
PROLOGUE 14 Cardioid Dynamic, High Z, On-Off switch, Prologue(TM)
PROLOGUE 16L Cardioid Condenser, Low Z, On-Off Switch, PROLOGUE(TM)
PROLOGUE 22 Supercardioid Dynamic, Condenser, Low Z, On-Off Switch, PROLOGUE(TM)
PROLOGUE 24 Supercardioid Dynamic, Condenser, Low Z, PROLOGUE(TM)
PROLOGUE 200 Mixer System (120V ac) Consisting of: (1) 200M and (1) PS20
PS1A A power supply that provides 21.5 Vdc of phantom power for one or two condenser microphones. 120/240 Vac.
RKC800 XLR Connector Kit for SCM800 and SCM810 Mixers
S15A Tripod Floor Stand
S39A Vibration-Isolation Desk Stand
S37A Desk Stand
SC1 SC Series Body-Pack Transmitter
SC2 SC Series Handheld Transmitters
SC4 Diversity Wireless Receiver
SC35C Phonograph Cartridge
SCM800
SCM810
SFG-2 Stylus Tracking Force Gauge
SM2 Cardioid Dynamic, Headworn with Dual Receivers
SM7 Cardioid Dynamic Studio Vocal Microphone with Switchable Response Tailoring
SM11 Omnidirectional Dynamic, Lavalier
SM12A Cardioid Dynamic, Headworn with Earphone
SM18B Cardioid Dynamic, Low Profile (Brown)
SM102 Black Miniature Condenser for Overhead Miking, In-Line Preamp
SM10A Cardioid dynamic, Headworn
SM48 Cardioid Dynamic
SM57 Cardioid Dynamic
SM58 Cardioid Dynamic
SM62 Cardioid Dynamic
SM63 Omnidirectional Dynamic
SM63L Omnidirectional Dynamic with Longer Handle for Interviewing
SM81 Cardioid Condenser with 10dB Attenuator and 3 Position Low-Cut Filter
SM83A Omnidirectional Condenser, Lavalier
SM84A Supercardioid Condenser, Lavalier
SM87 Supercardioid Condenser
SM89 Shotgun Condenser
SM90A Omnidirectional Condenser, Surface Mount with ILP-1 In-Line Preamp
SM91A Cardioid Condenser, Surface Mount with ILP-1 In-Line Preamp
SM93 Micro-Lavalier Omnidirectional Microphone
SM94 Cardioid Condenser
SM98A Miniature Cardioid Condenser for Musical Instruments Applications with ILP-1 In-Line Preamp and Supercardioid Polar Modifer
SM99 Miniature Supercardioid Condenser, Attached 6" Gooseneck, XLR Base
ST350 Shure Conference Phone
ST3500 Audio Teleconferencing System
The Guitarist Low-Cost VHF Wireless System
The Headset Low-Cost VHF Wireless System
The Presenter Low-Cost VHF Wireless System
The Vocal Artist Low-Cost VHF Wireless System
UHF Wireless Premium UHF Wireless System
U4D Dual Channel Diversity Receiver
U4S Single Channel Diversity Receiver
U1 UHF Body-Pack Transmitter
U2 UHF Handheld Transmitters
UA840A Antenna Distribution Amplifier
UA830A Active Remote Antenna Kit
VP3 Camera-mountable single-antenna wireless receiver
VP64 Omnidrectional Dynamic Handheld Microphone, Scratch-Resistant Black Finish
VP88 M-S Stereo Microphone with internal matrix and battery Transmitters
WA405 Antennal/Power Distribution System
WA440 Antenna Rack Mount Kit for LX3, LX4, SC4, EC4
WA470 Passive Antennal Splitter for any Two LX4, SC4 and EC4 Diversity Receivers
WCM16 Hypercardioid, Head Worn
WH10
WH10TQG Dynamic Cardioid Headworn
WH10XLR Headworn Dynamic Microphone, XLR Connector
WL183 Professional Omnidirectional Lavalier
WL184 Professional Supercardioid Lavalier
WL185 Professional Cardioid Lavalier
WL83A Premium Omnidirectional Lavalier
WL84A Premium Supercardioid Lavalier
WL93 Omnidirectional micro-miniature Lavalier
WL93-6 Omnidirectional micro-miniature Lavalier with 6-ft Cable
WL93T-6 Omnidirectional micro-miniature Lavalier with 6-ft Cable, Tan
WL93T Omnidirectional micro-miniature Lavalier, Tan
WM98 Cardioud, minature instrument Wireless Microphone

Wired mics Wireless mics What's new Complete prod. list Company profile Top of page

Shure Company History

The performance began modestly and quietly in 1925, when S. N. Shure began distributing radio parts for home set builders. Mr. Shure took an extra step when he published a parts catalog, and soon the company was receiving orders from around the world, an early indication of the global company Shure would become.

Two factors sent Shure in a new direction: the Great Depression and a market change from home,built to factory,built radios. During those tough years, Shure turned to manufacturing instead of distribution and began producing microphones.

With the first product manufactured in 1932, Shure again took an extra step: the 2 button carbon microphone represented an important design innovation. From that point on, Shure was setting industry standards with products such as the condenser and crystal microphones and the Unidyne. This single-element, unidirectional microphone helped make Shure a leader in the microphone business,worldwide.

From the beginning, Shure focused considerable resources on engineering research, making a significant investment in product design and improvement. As a result, Shure products became known early on for their outstanding quality and durability.

During the war, Shure was awarded a government contract to provide microphones to the military and needed to meet strict specifications for performance and ruggedness. So Shure took an extra step and developed a rigorous in house testing program that remains in place today. Each product is subjected to extremes of temperature, humidity, and handling before it is considered ready for the market.

Over the years Shure has responded to the marketplace with consumer and professional products to meet a variety of audio applications. From premium quality phonograph cartridges to world standard stage performance microphones to problem solving mixers to award-winning teleconferencing products, Shure has found ways to tap into new markets, reach new customers, and be a leader in a dynamic industry.

Shure products are used wherever audio performance is a top priority: in a variety of industries, markets, and settings, by professionals and amateur users alike.

Sound contractors specify Shure products for use in churches, theaters, conference rooms, and nightclubs, anywhere there's a need for a high quality sound reinforcement system at a reasonable cost. For this market, microphones, mixers, wireless microphone systems, and other products have been designed to be affordable, easy to use, and long-lasting. In fact, many Vocal Master Sound Systems a breakthrough product developed in 1968 are still in use today!

The broadcast industry relies on Shure microphones and mixers, because dependability is critical. Whether in the field or in the studio, for breaking news or a planned event, Shure products are there, performing as promised.

Shure is also meeting the needs of the land mobile communications market. For people in emergency response, service, or dispatch situations, Shure products provide the reliability and ruggedness to get the job done without fail.

The business world relies on Shure as well. Through teleconferencing products, people around the world are linked. Through microphones and mixers developed for audio tracks on videotape, corporate productions come to life. And through microphones and automatic gated mixers, the emerging field of Distance Learning creates boundaries.

In the entertainment industry, Shure products serve the most demanding customers. Performers and touring sound engineers need not only quality but durability as well to withstand the rigors and abuses of the road. The SM57 and SM58 Microphones first developed in 1965 set the standard for live performance applications. Even today, the latest versions of these models are still the best selling microphones in the world.

Shure continues to develop products to meet the changing needs of this industry:

Beta microphones, which set a new standard in polar response to reduce feedback.
Award-winning wireless systems that meet a multitude of applications.
Condenser microphones with the durability to survive on the road.

Whether the product needs to be portable or installed, for the home user or the professional, Shure helps create a performance that never ends.

Shure performance actually begins behind the scenes, well before a new product is sold, and continues even after it is on the market.

Shure's product engineering department,started in the 1930s ,is a key element in the company's success. With its emphasis on research, Shure has made products that are more responsive and precise, easier to use, smaller, less expensive, and, always, of the highest quality.

Each of Shure's five plants has fully internal capabilities. With skilled assemblers and state-of-the-art production equipment, the plants generate products that provide the consistent high performance customers require.

The marketing group specifies new products, and the marketing communications department promotes and brings products to the attention of the market. The sales team keeps orders coming in from customers, while the applications group supports the effort by educating and assisting dealers and customers alike.

From administration to manufacturing to sales to customer service, total quality is Shure's guiding philosophy. Not only must the product perform as designed, but the sales experience, the delivery system, and customer service must also be beyond expectations.

Customers can count on:

timely responses to questions or problems
Continuous improvement in products
advice and instructions on product use and installation
a relationship based on service, honesty, and integrity

Shure's philosophy focused on the customer from the very beginning, and it's stayed that way. The customer service performance never ends at Shure.

If we are known by the company we keep, then Shure is in good company.

We're there when history is being made. When news is breaking. When entertainment goes beyond enjoyable to spectacular.

Shure users and endorsers appreciate quality performance and have come to rely on Shure products for just that.

But the real key to our success is our people. In every office, in every job, in every country, Shure associates and representatives have understood the importance of quality. Since 1925, we've been performing:

So our designs are innovative.
So our markets' needs are met.
So our products are reliable.
So our service continually improves.
So our customers can depend on Shure quality.
So the performance never ends.

E-mail: davisadm@aol.com

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